visit https://www.aaabagss.com Action Hero: Cutter really doesn’t want to be, but events force him to take out most of Rane’s men by himself. Berserk Button: Mentioning Rane’s childhood. Big Bad: Charles Rane, the English mercenary terrorist. “Die Hard” on an X: Die Hard on a plane! This is the one that didn’t have Harrison Ford. Disney Villain Death: Cutter kicks Rane out of a plane in mid flight. One of Rane’s mooks is also killed this way at the fairground when Cutter tosses him off the top of a ferris wheel. Evil Brit: Rane is an English terrorist for hire. Finger Gun: While imprisoned, Rane notices a child doing this. He proceeds to do it back, revealing his handcuffs and scaring the child half to death. I Know Karate: Cutter, of course. He uses it to good effect against Vincent and Rane. Knight in Sour Armor: Cutter is very bitter and testy after his wife’s death. Lack of Empathy: Rane, big time. He thinks nothing of shooting hostages, even if they have families, and at one point even menaces his own lawyer. Large Ham: Rane again. Bruce Payne delivers every line as though he’s playing a snake. Made of Iron: Rane no sells several shots to the crotch during his final fight with Cutter. Madness Mantra: Charles Rane is not insane. Mistaken for Terrorist: Cutter is at first thanks to Rane fooling the police into thinking he worked for him. No Holds Barred Beatdown: Cutter delivers one of these to Vincent, Rane’s knife wielding henchman. Stuffed into the Fridge: Cutter’s wife was killed in convenience store robbery shown via flashback. Terrorists Without a Cause: The movie implies that Charles Rane enjoys causing mayhem for his own amusement rather than any long term goals. Wrong Name Outburst: Cutter accidentally refers to Marti as “Lisa” in a heated moment. “Lisa” is actually Cutter’s dead wife, killed in a convenience store robbery.
high quality replica handbags Arbitrary Skepticism: Mostly from Mimi’s boyfriend Naoto. Mimi becomes incredibly frustrated by this in the final chapter. Covers Always Lie: Just from a quick glance at the cover, the reader would think that the woman on the front with the red silhouette and blank, soulless eyes was the main villain. It’s actually the hapless protagonist. Creepy Cemetery: There’s an example located behind Mimi’s new apartment after she moves. It starts out being more creepy in universe before it’s revealed to be haunted. Driven to Suicide: The ghost woman in “Sound of Grass”, along with the ashen woman in “Alone with You”, who is revealed to be Kei’s mother. Dumb Muscle: Mimi’s new neighbor after she finally gets moved away from her first disturbing apartment. He just keeps moving gravestones around so that the spirits of the dead can watch him pose. Haunted Heroine: Notably averted. Mimi seems to stumble across the supernatural wherever she goes, but she’s otherwise as normal as Ito protagonists get. Humanoid Abomination: It is heavily implied that the waitress from “At the Seashore” may be one of these. See Nothing Is Scarier. Also the metal slate woman in the first story. Lighter and Softer: Despite still being a horror story by any reasonable definition of the phrase, the stories presented here are somewhat lighter fare than most of Ito’s work. In the words of one reviewer, they sure do have the protagonist survive a lot more than his other works tend to. Nothing Is Scarier: In “At the Seashore”, all of the photographs showing the waitress who shares the area’s history with the protagonists are destroyed by the man who develops them, and are never shown. Not So Imaginary Friend: The ashen woman from “Alone with You”, who is actually the ghost of Kei’s mother. Of course, she’s only friendly from her perspective, and just disturbs Kei. Urban Legends: The source of the stories related in the graphic novel. Referenced in the book’s Japanese name, which translates more closely to “Mimi’s Urban Legends”. Weirdness Magnet: Mimi, who doesn’t do anything to invite or deserve all of the supernatural craziness she gets put through. high quality replica handbags
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